Amadan na Briona

The writing of Dead Souls drove Gogol mad. It started off as a humorous idea for a story, the conceit being that Chichikov, a scheming opportunist, would travel through Russia buying up the rights to dead serfs (souls), who had not yet been purged from the census and could therefore - like all chattels - still be mortgaged. As the novel grew, so did Gogol's aspirations; his goal became no less than to rekindle the noble yet dormant core of the Russian people, to transform the troubled social and economic landscape of Russia into the gleaming great Empire that was its destiny. He no longer wanted to write about Russia; he wanted to save it. He was driven into messianic obsession and, having burnt Part Two - twice - after ten years of labor, he committed suicide by starvation.

Like many Russian writers, Gogol employed his gifts in trying to discern the nature of Russianness and in forging a literary identity for Russia that would somehow help to engender a road to the future.

"Stop, stop, you fool!" shouted Chichikov to Selifan; and even as he spoke a troika, bound on Government business, came chattering by, and disappeared in a cloud of dust. To Chichikov's curses at Selifan for not having drawn out of the way with more alacrity a rural constable with moustaches of the length of an arshin added his quota.

What a curious and attractive, yet also what an unreal, fascination the term "highway" connotes! And how interesting for its own sake is a highway! Should the day be a fine one (though chilly) in mellowing autumn, press closer your travelling cloak, and draw down your cap over your ears, and snuggle cosily, comfortably into a corner of the britchka before a last shiver shall course through your limbs, and the ensuing warmth shall put to flight the autumnal cold and damp. As the horses gallop on their way, how delightfully will drowsiness come stealing upon you, and make your eyelids droop! For a while, through your somnolence, you will continue to hear the hard breathing of the team and the rumbling of the wheels; but at length, sinking back into your corner, you will relapse into the stage of snoring. And when you awake—behold! you will find that five stages have slipped away, and that the moon is shining, and that you have reached a strange town of churches and old wooden cupolas and blackened spires and white, half-timbered houses! And as the moonlight glints hither and thither, almost you will believe that the walls and the streets and the pavements of the place are spread with sheets—sheets shot with coal-black shadows which make the wooden roofs look all the brighter under the slanting beams of the pale luminary. Nowhere is a soul to be seen, for every one is plunged in slumber. Yet no. In a solitary window a light is flickering where some good burgher is mending his boots, or a baker drawing a batch of dough. O night and powers of heaven, how perfect is the blackness of your infinite vault—how lofty, how remote its inaccessible depths where it lies spread in an intangible, yet audible, silence! Freshly does the lulling breath of night blow in your face, until once more you relapse into snoring oblivion, and your poor neighbour turns angrily in his corner as he begins to be conscious of your weight. Then again you awake, but this time to find yourself confronted with only fields and steppes. Everywhere in the ascendant is the desolation of space. But suddenly the ciphers on a verst stone leap to the eye! Morning is rising, and on the chill, gradually paling line of the horizon you can see gleaming a faint gold streak. The wind freshens and grows keener, and you snuggle closer in your cloak; yet how glorious is that freshness, and how marvellous the sleep in which once again you become enfolded! A jolt!—and for the last time you return to consciousness. By now the sun is high in the heavens, and you hear a voice cry "gently, gently!" as a farm waggon issues from a by-road. Below, enclosed within an ample dike, stretches a sheet of water which glistens like copper in the sunlight. Beyond, on the side of a slope, lie some scattered peasants' huts, a manor house, and, flanking the latter, a village church with its cross flashing like a star. There also comes wafted to your ear the sound of peasants' laughter, while in your inner man you are becoming conscious of an appetite which is not to be withstood.

Oh long-drawn highway, how excellent you are! How often have I in weariness and despondency set forth upon your length, and found in you salvation and rest! How often, as I followed your leading, have I been visited with wonderful thoughts and poetic dreams and curious, wild impressions!